ВИА "Танцы-Шманцы" Cover Band Krasnodar

A real corporate is when everyone is annealed. And everyone is annealed when VIA "DANCING - SHMANTSY" comes on stage!

AFTER ALL RETRO LOVE EVERYONE! YES, EVEN IN FACTORY AND RAMPANT SKA-ARRANGEMENTS!

As a rule, everyone has their own aesthetic tastes and preferences in the team, and it is difficult to find musicians who would please everyone. But "DANCING - SHMANTSY" is a win-win repertoire and a frictionless style of performance. Unforgettable hits of Soviet and modern, foreign and Russian pop will taste everyone. It is at home or in headphones that we listen to what we exclusively like, and when a festive company makes noise around, even the most esthete will be glad to compositions that are deadly and time-tested. After all, you can dance under them, and mess with friends!

In addition, "DANCING - SHMANTSY" is not just a performance. The vocalist and vocalist actively communicate with the public, go into the hall, catch up with courage and raise a degree of fun. When the hits from "Hand Up!" And Alla Pugacheva, from Ricky Martin and Yuri Antonov, from Justin Timberlake, Vaenga, Leningrad, Bremen Musicians, Ivanushek International, Arthur Pirozhkov, IOWA and many others sound, Even quiet and introverts will come out on the dance floor!

If you want your corporate party, celebration or holiday to be remembered by everyone - call "DANCING SHMANTSY"!

Артур Пирожков – Зацепила Меня
Андрей Грубин – Ночь
Алла Пугачева – Эй Вы там, наверху
Баста – Медлячек
Валерий Леонтьев - Светофор
Виа «Здравствуй Песня» - Птица Счастья
Верка Сердючка - Все будет Хорошо
Градусы — Голая
Иванушки international – Тополиный Пух
Елена Ваенга - Курю
Звери – Районы Кварталы
Звери – Южная Ночь
Земляне – Трава У Дома
Ласковый Май – Белые Розы
Ленинград - Экспонат
Ленинград – Мамба
Ленинград – WWW
Ленинград – Рыба Моей Мечты
Ленинград – Вояж
Леприконсы – Хали Гали
Руки Вверх! - 18 мне уже
Руки Вверх! - Крошка моя
Руки Вверх! - Ай Ай Яй Девченка
Мираж - Музыка нас связала
Юрий Шатунов - Седая Ночь
Юрий Антонов – Летящей походкой
Ricky Marttin – Livin La Vida Loca
НА – НА - Фаина
Леонид Агутин – Если ты когда нибудь меня простишь
Мистер Твистер – У Самого Синего Моря
МЭДЖИКУЛ– Марфа
Леприконсы – Хали Гали
Макс Барских – Туманы
Макс Барских - Берега
Моя Мишель – Настя
Элджей & Feduk – Розовое Вино
Жанна Агузарова – Ленинградский Рок Н Ролл
Жанна Агузарова – Черный Кот
Жанна Агузарова- Желтые Ботинки

IOWA – УЛЫБАЙСЯ
IOWA - МАРШРУТКА
Coldplay - Adventure of a lifetime
DNCE - Cake By The Ocean
DNCE – Kissing Strangers
Justin Timberlake - Can't Stop This Feeling
Jamiroquai - Cosmic Girl
Jamiroquai - Love Foolosophy
Luis Fonsi – DESPACITO
Modjo – Lady
Maroon 5 -This Love
Michael Jackson - Billy Jean
Pharrell Williams - Happy
The Great Gatsby - A Little Party Never Killed Nobody
Sam Smith - I'm Not the Only One
Army Of Lovers – Obsession
Hideaway - What is Love
Love You Like a Love Song/I will survive
La Bamba
Little Richard - Tutti Frutti
Hit the road jack

Technical rider VIA "Dancing-Shmantsy."
SITE REQUIREMENTS:
If the concert takes place on the street, the stage and console should be protected from rain. If the air temperature is below 20 degrees Celsius, it is necessary to install thermal fans on stage and in the console, in an amount sufficient for the comfortable work of the team.
The voltage in the network is 220В. All equipment shall be connected to a common grounding bar and neutral. There should be no noise and interruptions on the network.
PERSONNEL REQUIREMENTS:
By the time the team arrives on site, all equipment must be installed, connected and checked.
During the soundcheck and performance on the site should be: sound engineer of the rolling company, who is fluent in mixing;
All system settings (crossovers, limiters, etc.) are made before the soundcheck, small adjustments are possible in the process, but no changes can be made after the soundcheck!!!
EQUIPMENT REQUIREMENTS:
1.PA (Main acoustic systems)
Portals should be located outside the perimeter of the scene, beyond its side borders (so as not to block musicians) and brought forward relative to the advance stage, so as to prevent (or at least minimize) the penetration of sound from the portals into the microphones on the stage.
The system specification must be agreed in advance with the sound engineer of the group by PHONE!!!
2.FOH:
Preferably DIGITAL MIXING SYSTEM - 16 in/6 out MINIMUM!!! (Yamaha CL, QL,TL series; Allen&Heath, Behringer X 32)
WiFi router and iPad with remote console control.



3. SCENE
Tools and Percussion Set we bring Sami, switch and voice with our microphones!!!

MONITORS:
Preferred: D & B M4, L'Acoustics 115XT HiQ, Nexo PS15, Martin Audio LE1500, Seeburg, Meyer Sound, Coda Audio. Be sure to use manufacturer recommended amplifiers and controllers!!!
Cheap acoustic systems produced by China, the CIS countries (except for Pro Tone - they can be) and artisanal "self-drinking" are categorically unacceptable. It is also unacceptable to use faulty acoustic systems that do not comply with passport characteristics.
MIX 1 (vocals by Maria) - two 15 "floor monitors on the advance stage on the left.
MIX 2 (vocals by Dmitry) - two 15 "floor mogiters on the advance stage on the right.
MIX 3 (keyboards) - one 15 "floor monitor at the keyboard player.
MIX 4 (guitar) - one 15 "floor monitor for the guitarist.
MIX 5 (bass) - one 15 "floor monitor at the bass player.
MIX 6 (Drumfill) - subwoofer 18 "+ top 15" at the drummer, from the flora side of the volume.
DEPENDING ON SCENE SIZE, THE NUMBER OF MONITORING LINES AND MONITORS MAY VARY
CONTACTS:

For any additional questions, please contact:
8-964-913-63-30 - Alexander (group director)